Merry Antoinette writes:~
“Is she wearing that head for a bet?” Asks my flatmate as our lady Prime Minister’s distinctive head with its flame coloured bob of hair fills the screen. Its a fair question -
After several therapeutic glasses of Fruity Lexia Marjorie has a wanton way with words – she doesn’t mince them.
When I enquire if someone she is referencing in her extended monologue is attractive – she doesn’t bother with a nuanced description of where they fit on the scale of 1 – 10, or even with words like pleasant, attractive or plain. The answer is direct - he’s a ‘stunner’ or she’s a ‘dog’.
I understand such black and white thinking. Personally I’m not the slightest bit interested in a movie that is passable or watchable or god help me entertaining… do not entertain me ever… I want to be engaged – and not by my ex Peruvian stalker… and if not engaged then rudely jilted in a way that provokes me to hit the hardcore verbage.
In a life full of other distractions only films that are truly great or truly awful are worth the word count.
So with time being limited (after an extended manic episode outside the Batcave) and with only 6 sleeps to go before the Big Fat Man trashes the chimney and drinks us dry - I was going to write a whimsical list of some of the first flea-bitten Dog movies that came to mind – I quickly noticed something very strange – Kevin Costner has a lot to answer for – He has starred in some of the finest American films of recent decades and directed some of the worst films ever made with the exception of Dances with Wolves which he co-produced with his wife before having a mid-life-misadventure, apparently shooting himself in the head with his own penis and beginning a long run of shitting lemons….
His films provide my all time favourite and least favourite cinema experiences. So this list is also what I love and what I hate and what I love to hate about Kevin…. So let’s do talk about Kevin.
DOGS AND STUNNERS.. This is just a starter list - feel free to add your own Dogs and Stunners.
DOG
WATERWORLD perpetrated by Kevin Costner
Chinese water torture would be preferable. Epic post apocalyptic tale – Mad Max on water.
STUNNER
PERFECT WORLD Directed by Clint Eastwood
Classic filmmaking at its best. Kevin Costner delivers one of the finest acting performances ever recorded – not to mention the kid! Great script and narrative.
DOG
THE POSTMAN Answerable? Kevin Costner (Directs, Stars, Produces)
Over two and a half hours of pure self-indulgence (not yours – Kevin’s). Post apocalyptic tale II – Mad Max goes postal.
On second thought this outdoes even Waterworld and should be on top of the list of Dogs.
STUNNER
THE THIN RED LINE Work of genius by Terrence Mallick.
A poetic Masterpiece from opening shot to closing frame. Rare and delicate portrayal of the human spirit in the face of death. Exquisite performances by Penn, Nolte, Koteas, Brody, Harrelson et al - Jim Caviezel is luminous – christ like – destined for his later role in The Passion. Rarely has a face been so internally lit onscreen.
Why wasn’t Kevin in this one with the rest of his peers?
DOG
SOMERSAULT Assaulted by: Cate Shortland - director. You have to give the writer equal blame for this indulgent coming of age pastiche of wanna be art house implausability. Writer – Cate Shortland……
To add insult to injury this film was widely hailed as a significant film that signalled the revival of the Australian film industry.
The Emporer definitely had no clothes on in this one – and even the provided synopsis on IMDb shows that this excercise in arts funding has no worthwhile storyline. Let it be a warning. If you’ve got nothing to write about put the pen down and back away from the keyboard and for God sake do not think a storyless story will magically transform itself into one by breaking it down into script format! That’s code for start with a ‘story’ dickhead.
“Coming of age: Heidi, 15, runs away from home after her mom sees her kissing mom’s boyfriend. She goes to a Snowy River resort where a vague job offer doesn’t pan out. She manages to find a place to live and a job at a convenience store. She’s between childhood — nursery rimes and a scrapbook of glittery unicorns – and adulthood – working, sorting out emotions and sexuality, and dealing with social slights and false charges of bad behavior. She’s attractive and her loneliness makes her vulnerable. She sleeps with Joe, the son of local ranchers, and she awakens in him feelings he can’t express. Is there any way she can put off adulthood and be a kid awhile longer?
I shit you not…. The prosecution rests.
STUNNER
THE BOYS Director Rowan Woods . Screenplay by playwrite Stephen Sewell.
Australian filmmaking at its authentic best. A visceral portrayal of suburban garden variety evil. The screenplay suspensefully re-orders events that lead three brothers inevitably towards a savage crime ,with chilling detachment. The sociopathic menace portrayed is so real the director leaves the story a few scenes shy of the actual crime for even greater impact.
STUNNER
LITTLE VOICE Directed by Mark Herman – written by Mark Herman.
What can I say – a poignant comedy – a riot of regional dialect - pathos bathos and idiosyncratic characters. A study of sublime dreams and failure and Michael Cain’s best most endearing performance ever “When you take your clothes off I can’t keep track of yer, yer all over the place” – alongside the utterly human Brenda Blethyn in all her glory – ‘tits and a gob on me fer all occaisions’. Jane Horricks in a parallel universe sublimely singing impersonations of all the greats. Ewan McGregor a fawn-like bundle of nervous ticks and awkwardness. And ‘the one the only’ Jim Broadbent.
A wonderful film.
The list is endless and will be revisited but right now it’s keeping me from a well deserved Redly – thankfully young Maximilian has just phoned in his contenders for the STUNNERS list pasted below for a male point of view….
Hi Mum,
Here are some of my favorite Stunners, in no particular order:
The Shawshank Redemption (great film, great story, great characters, great acting, great cinematography)
Fight Club (quirky instant classic, with riveting watchability from Edward Norton & Brad Pitt)
Goodfellas (instant classic, great mix of melodrama, authenticity and dark comedy)
Once Upon a Time in the West (awesome western, some amazing scenes)
The Matrix (breakthrough film, set a lot of standards for modern cinema … the sequels were shit)
Indiana Jones & the Raiders of the Lost Ark (unbeatable classic, still sets the standard for fun-filled comic book style epic action)
The Silence of the Lambs (combination of Jodie Foster & Anthony Hopkins makes this an all time classic, intelligent suspense / horror)
Paranormal Activity (scariest film I’ve seen in my life)
Memento (Guy Pierce’s performance and the unusual way this film was edited together made this a fave)
American History X (a real story about real problems in American society and real consequences to extreme act







